Mujeres que lloran agujas

In search of the meanings of an unknown X that appears in the lower right corner of Guernica, on the wall of the burning building, the author of this essay written as a novel confirms that Picasso was a painter in his women and that thanks to them he created an extraordinary work. With other companions by his side, his painting would have been different. Picasso was a domestic, subjective artist who painted his intimate life like someone who writes a diary, and when he exhausted the inspiration provided by each of his lovers, he did not hesitate to change partners to continue creating a new work. "Destroying" Picasso created, so he took advantage of the suffering of his women to be inspired and paint better paintings. Thus he drags the fame of having sacrificed companions, friends and family in the most delicate moments, for the benefit of his creation. However, his work hosts a dazzling humanism, it is an overwhelming song to life, love and lack of love of his friends and colleagues. This essay finally discovers that Guernica is alive and evolving; that coexists in a perfect parallel with Spanish politics. Since it was painted, it is reflected in it as in a mirror.