Tractatus Logico-Photographicus

Thus, with the notebook of the bowl and the camera as a lance, hero of my own story, I face the long hours of the day like a quixote out of place. ' Dávila shoots photographs determined to catch the world in the rectangle of his viewfinder, while saving words and ramblings from the wind that he transcribes in his notebooks. In this way he builds up this treatise on photography, a planetary pandemic that has caused, in the author's opinion, the overpopulation of visual artists, 'a parasitic family of a wide spectrum, in which, it becomes inevitable, I must include myself'. Through this kaleidoscope of notes and photographs without an owner, a mixture of free rehearsal and personal chronicle, we see parading Dávila's ghosts, and his more personal obsessions and obsessions. Trapped in a maze with no way out, with the author hidden in the shadows, the ghost of Remo Vilado, Schopenhauer, the photographer Nadar, Houdini, the Emperor Augustus, SpongeBob, the helper Eloísa, Lucretius, the moon itself appear and disappear on a whim or holy Job.