Nosaltres, qui

To Nosaltres, who, Mireia Calafell makes a change of tone and, deepening and insisting on her lyrical voice, makes a brave bet away from the register that has given her prestige as a driver of some poetics of the body, distancing herself of gender as the central axis of discourse and opening its poetry to a new more universal relationship with everyday life interpreted from classical myths or ontological reflection expressed through symbol and allegory.