Los 100 mejores documentales del rock

Since the birth of rock and roll, cinema has always been by his side, documenting what was moving around him. First timidly with a festival (The T.A.M.I. show), to suddenly enter the cinéma vérité with Bob Dylan (Dont look back) or the big shows designed for the small (Elvis: '68 comeback special) or big screens (Woodstock). It did not take long for established filmmakers to arrive, such as Martin Scorsese (The Last Waltz) or Jonathan Demme (Stop making sense), to recognize the music that had marked them in their youth and, incidentally, sign two of the best films in history of cinema of any genre.