La tinta que nos une

Paris, 1950. The director of Le Libéré decides to give a voice to women who don't have it. Hasret, who has just arrived from Turkey looking for a better future for herself and her baby, will tell her story in her diary. Her voice will be the path that unites two apparently very different lives: that of Kael, a friend of hers who works in a juvenile center, and that of Anik, a young journalist who will write the story for her that she cannot write.