Historia provincial de la infamia

Did a black man have Falla? Did Lenin listen to a couple in Moscow? Did Miles Davis steal the Saeta and the Soleá from two fellow musicians? Was Paul McCartney from Cádiz? Who ended the Andalusian Rock? Does a metal brotherhood procession in Bergen? The thirteen musical biographies of "Historia provincial de la infamia" make up an anthology of lives in which certainties and proven facts are linked with nonsense and uchronies to shape a literary artifact rooted in a way of telling about a city like Cádiz, Mecca of great popular storytellers where the art of the coba and the lie turn it into a synagogue of rogues and storytellers, on the scene of the provincial history of infamy, great sherezades of lies, of picaresque, who counted with grace and agility the Cadiz human condition. Always with a joke founded on the mythical. "Provincial History of Infamy" tells us the lives of some artists and composers of the old city and their enormous music, being aware of the red thread that exists from the Planet to Manuel de Falla, of Uncle Gregorio the butcher to Tío de la Tiza, from Teletusa to La Macarrona, from Enrique el Mellizo to David Palomar, from José Cubiles to Chano Domínguez.