Estética modal

In the first book of Modal Aesthetics we were able to expose the bases of artistic production and aesthetic experience relying on the specificities and interactions of the modes of the Necessary, the Possible and the Effective together with their corresponding negative modes: the Contingent, the Impossible and the Ineffective. Now, with this second book on Modal Aesthetics, we will try to give continuity to that attempt to bring complexity thinking closer to the field of Aesthetics. To this end, different analysis tools are proposed that are much closer to the experience of those who are in contact with the artistic and the aesthetic. These tools will be studied based on their cognitive, ontological or axiological character. We will therefore speak in terms of strata -which organize what there is-, categories -which allow us to know and intervene in it- and values ??-through which we organize our reaction to it-. But just as important as distinguishing these three registers of aesthetic thought will be to learn to make them work together, forming characteristic "modes of relationship". Ways that we do and that make us, that go through the history of art and go through us.