Qué hacer con estos pedazos

At sixty-four years old, Emilia is facing the remodeling of her kitchen. Her husband has decided on her own and she, who just wants to be calm with her books, feels unable to resist. Bonnett starts from this daily and apparently banal fact to build a semblance of placid and dangerous dissatisfaction, and of women cornered by very different types of abuse and silence. The passage of time, its accumulation and its weight, gentrification and old age (ours and others), and the impossibility of really knowing those around us permeate this novel to force us to look where, often, we do not want to look: at what that we really are.